We show Medea outside of time, outside of myth, exploring a problem that is both universal and urgently contemporary – emigration.We speak of the impossibility of crossing the border of ourselves, created with the line of our bodies moving between earth and sea, between continents and between people. Medea is a great figure of exile. She stands at the gates of Europe, up to her knees in death.

It is not her that is rejected, it is her own death and the possibility of burying her children: young women raped on the way to Europe, mutilated young men, robbed old people … Others.